His focus is on things, settling first on their appearances, their visibility, and in consequence also examining their inseparably connected invisible, hidden meaning. An eye-level perspective, the use of a normal lens and a general avoidance of any processing or other self-reflective or fictional possibilities of photography characterize his way of working. Therefore, Unverzart has no need to distance himself from the elementary possibilities of photography too much, either way his intention remains a great endeavour: probing the causes of things, their meanings and also their originators. (Daniela Stöppel)
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