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Olaf Unverzart

untitled from the series "Brut", 2007, 40x60cm, silkscreen printuntitled from the series "Brut", 2007, 40x60cm, silkscreen print
untitled from the series "Brut", 2007, 40x60cm, silkscreen printuntitled from the series "Brut", 2007, 40x60cm, silkscreen printuntitled from the series "Brut", 2007, 40x60cm, silkscreen print
untitled from the series "Brut", 2007, 40x60cm, silkscreen printWindbruch Ofenpass (wind breakage Fuorn Pass), from the series "STRATA", 2005, 125x193cm, C-Print
Tunneldecke Simplon (tunnel ceiling simplon), from the series "STRATA", 2006, 125x168cm, C-PrintTunneldecke Ofenpass (tunnel ceiling Fuorn Pass), from the series "STRATA", 2005, 125x168cm, C-PrintTunnel Loutier, from the series "STRATA", 2009, 125x168cm, C-Print
Rhonegletscher (Rhône Glacier), from the series "STRATA", 2005, 125x168cm, C-PrintGlacier de Argentiere, aus der Serie "STRATA", 2006, 168x125cm, C-PrintAlletschgletscher ("Aletsch Glacier"), from the series "STRATA", 2006, 125x168cm, C-Print
untitled from the series "fallen kann ich auch alleine" ("I can fall by myself"), 1999, 85x125cm, C-Printuntitled from the series "fallen kann ich auch alleine" ("I can fall by myself"), 1999, 85x125cm, C-Print
untitled from the series "fallen kann ich auch alleine" ("I can fall by myself"), 1999, 85x125cm, C-Printuntitled from the series "fallen kann ich auch alleine" ("I can fall by myself"), 1999, 85x125cm, C-Printuntitled from the series "fallen kann ich auch alleine" ("I can fall by myself"), 1999, 85x125cm, C-Print
untitled. from the series "fallen kann ich auch alleine" ("I can fall by myself"), 1999, 85x125cm, C-Printuntitled from the series "fallen kann ich auch alleine" ("I can fall by myself"), 1999, 85x125cm, C-Print

His focus is on things, settling first on their appearances, their visibility, and in consequence also examining their inseparably connected invisible, hidden meaning. An eye-level perspective, the use of a normal lens and a general avoidance of any processing or other self-reflective or fictional possibilities of photography characterize his way of working. Therefore, Unverzart has no need to distance himself from the elementary possibilities of photography too much, either way his intention remains a great endeavour: probing the causes of things, their meanings and also their originators. (Daniela Stöppel)

 

www.unverzart.de


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